As a Set Dresser/On set dresser - any set build before a director sees it/ wideshot films it.
How it generally works is we get a bunch of stuff and… Something. This something can be as exact as a blueprint (techpack) that clearly marks where furniture is supposed to go or as vague as a one sentence long description of what the set is supposed to be. We are usually given a bunch of options for virtually everything that is used. Then we make up the set.
Then the waveform goes nuts. The Heirachy goes Set Decorator, Production Designer, and then Producer. They will randomly visit or call in sometimes separately and whatever plans that existed immediately cease to matter. The set may completely change a random number of times back and forth as anyone above us in the hierarchy demands unless it countermands a specific demand made by someone above the demander in the hierarchy.
That is until shoot day. Once the Director has the floor all of that prep goes immediately out the window and the director may change whatever they please about the set and while there’s usually too much time constraints to change everything it could mean getting rid of anything. The waveform only collapses to depict a singular reality once the wideshot is in the bag which means there is now a continuity that must (okay “must” is a strong word) be obeyed.
It may seem like a pedantic difference but you are missing a key part of what’s going on here. Nobody is challenging that gender dysphoria is a bad thing to experience… This policy is saying it’s kosher to proclaim “transness is a mental illness” which means in effect that encompasses gender euphoria and all expressions of gender incongruity as symptoms of a mental illness. It’s a subtle linguistic difference but one makes it possible to publicly derride trans people as being delusional or harmful to people around them or dangers to themselves and push for “curing” all transness by approaching being trans as a failure state.